A-B

A


A-B Test
A test between two components. For example, a test between two different pre-amplifiers, or, when mixing, a test between a song with EQ tweaks, against the same song without.
For the test to be scientifically valid the levels should be matched.

ABX Comparator
A device that randomly selects between two components being tested. The listener doesn't know which device is being listened to.

AC3
See Dolby Digital

Acoustic suspension
A sealed or closed box speaker enclosure.

AES/EBU
Balanced digital connection. For example, used to connect a CD transport to a DAC. The AES/EBU standard uses XLR type connectors.

Alignment
A class of enclosure parameters that provides optimum performance for a woofer with a given value of Q.

Alpha
Term used in sealed enclosure designs to mean the ratio of Vas to Vb, where Vb is the volume of the box you will build.

Alternating Current (AC)
An electrical current that periodically changes in magnitude and direction.

Ambience
The acoustic characteristics of a space with regard to reverberation. A room with a lot of reverb is said to be "live"; one without much reverb is "dead."

Ampere (A)
The unit of measurement for electrical current in coulombs per second. There is one ampere in a circuit that has one ohm resistance when one volt is applied to the circuit. See Ohms Law.

Amplifier (Amp)
A device which increases signal level. Many types of amplifiers are used in audio systems. Amplifiers typically increase voltage, current or both.

Amplifier classes
Audio power amplifiers are classified primarily by the design of the output stage. Classification is based on the amount of time the output devices operate during each cycle of signal swing. Also defined in terms of output bias current, (the amount of current flowing in the output devices with no signal).

· Class A: Operation is where both devices conduct continuously for the entire cycle of signal swing, or the bias current flows in the output devices at all times. The key ingredient of class A operation is that both devices are always on. There is no condition where one or the other is turned off. Because of this, class A amplifiers are single-ended designs with only one type polarity output devices. Class A is the most inefficient of all power amplifier designs, averaging only around 20%. Because of this, class A amplifiers are large, heavy and run very hot. All this is due to the amplifier constantly operating at full power.The positive effect of all this is that class A designs are inherently the most linear, with the least amount of distortion.

· Class B: Operation is the opposite of class A. Both output devices are never allowed to be on at the same time, or the bias is set so that current flow in a specific output device is zero when not stimulated with an input signal, i.e., the current in a specific output flows for one half cycle. Thus each output device is on for exactly one half of a complete sinusoidal signal cycle. Due to this operation, class B designs show high efficiency but poor linearity around the crossover region. This is due to the time it takes to turn one device off and the other device on, which translates into extreme crossover distortion. Thus restricting class B designs to power consumption critical applications, e.g., battery operated equipment, such as 2-way radio and other communications audio.

· Class AB: Operation allows both devices to be on at the same time (like in class A), but just barely. The output bias is set so that current flows in a specific output device appreciably more than a half cycle but less than the entire cycle. That is, only a small amount of current is allowed to flow through both devices, unlike the complete load current of class A designs, but enough to keep each device operating so they respond instantly to input voltage demands. Thus the inherent non-linearity of class B designs is eliminated, without the gross inefficiencies of the class A design. It is this combination of good efficiency (around 50%) with excellent linearity that makes class AB the most popular audio amplifier design.

· Class AB plus B: Design involves two pairs of output devices: one pair operates class AB while the other (slave) pair operates class B.

· Class D: Operation is switching, hence the term switching power amplifier. Here the output devices are rapidly switched on and off at least twice for each cycle. Since the output devices are either completely on or completely off they do not theoretically dissipate any power. Consequently class D operation is theoretically 100% efficient, but this requires zero on-impedance switches with infinitely fast switching times -- a product we're still waiting for; meanwhile designs do exist with true efficiencies approaching 90%.

· Class G: Operation involves changing the power supply voltage from a lower level to a higher level when larger output swings are required. There have been several ways to do this. The simplest involves a single class AB output stage that is connected to two power supply rails by a diode, or a transistor switch. The design is such that for most musical program material, the output stage is connected to the lower supply voltage, and automatically switches to the higher rails for large signal peaks. Another approach uses two class AB output stages, each connected to a different power supply voltage, with the magnitude of the input signal determining the signal path. Using two power supplies improves efficiency enough to allow significantly more power for a given size and weight. Class G is becoming common for pro audio designs.

· Class H: Operation takes the class G design one step further and actually modulates the higher power supply voltage by the input signal. This allows the power supply to track the audio input and provide just enough voltage for optimum operation of the output devices. The efficiency of class H is comparable to class G designs.

Attenuate
To reduce in level.

Analogue
Before digital, the way all sound was reproduced. A smooth wavecycle rather than the digital 1's and 0's.

Aperiodic
Refers to a type of bass-cabinet loading. An aperiodic enclosure type usually features a very restrictive, (damped), port. The purpose of this restrictive port is not to extend bass response, but lower the Q of the system and reduce the impedance peak at resonance. Most restrictive ports are heavily stuffed with fiberglass, dacron or foam.

Audiophile
A person interested in sound reproduction.

AWS
Adaptive Woofer System, trademark of ACI. An active woofer system with built in user adjustable equalization capabilities.


B

Baffle
A surface used to mount a loudspeaker.

Balanced
Referring to wiring: Audio signals require two wires. In an unbalanced line the shield is one of those wires. In a balanced line, there are two wires plus the shield. For the system to be balanced requires balanced electronics and usually employs XLR connectors. Balanced lines are less apt to pick up external noise. This is usually not a factor in home audio, but is a factor in professional audio requiring hundreds or even thousands of feet of cabling. Many higher quality home audio cables terminated with RCA jacks are balanced designs using two conductors and a shield instead of one conductor plus shield.

Bandwidth
The total frequency range of any system. Usually specified as something like: 20-20,000Hz plus or minus 3 db.

Band-pass Enclosure
A multi-chambered ported system.

Band-pass filter
An electric circuit designed to pass only middle frequencies.

Bass Blockers
Commercial name for auto-sound first order high pass crossovers (non-polarized capacitors), generally used on midbass or dash speakers to keep them from trying to reproduce deep bass.

Bass Reflex
A type of loudspeaker that uses a port or duct to augment the low-frequency response. Opinions vary widely over the "best" type of bass cabinet, but much has to do with how well a given design, such as a bass reflex is implemented.

Beaming
A tendency of a loudspeaker to concentrate the sound in a narrow path instead of spreading it.

Bessel crossover
A type of crossover design characterized by having a linear or maximally flat phase response. Linear phase response results in constant time-delay (all frequencies within the passband are delayed the same amount). Consequently the value of linear phase is it reproduces a near-perfect step response with no overshoot or ringing. The downside of the Bessel is a slow roll-off rate. The same circuit complexity in a Butterworth response rolls off much faster.

Bi-amplify
The use of two amplifiers, one for the lows, one for the highs in a speaker system. Could be built into the speaker design or accomplished with the use of external amplifiers and electronic crossovers.

Bi-wiring
The use of two pairs of speaker wire from the same amplifier to separate bass and treble inputs on the speaker.

BNC
A type of connection often used in instrumentation and sometimes in digital audio. BNC connectors sometimes are used for digital connections such as from a CD Transport to the input of a DAC.

Boomy
Listening term, refers to an excessive bass response that has a peak(s) in it.

Bright
Listening term. Usually refers to too much upper frequency energy.

Bridging
Combining both left and right stereo channels on an automotive amplifier into one higher powered mono channel. When an amplifier is bridged, the impedance that the amplifier actually "sees" is calculated based upon the output of both stereo channels. Here is a simple formula to help define this:
Bridged Mono Impedance = (Y / X)/2
Y = impedance of driver(s) (both drivers should be identical)
X = # of drivers in circuit
One 4 ohm sub in bridged mono is equal to hooking up two 2 ohm subs in stereo, one to each channel.

Butterworth crossover
A type of crossover circuit design having a maximally flat magnitude response, i.e., no amplitude ripple in the passband. This circuit is based upon Butterworth functions, also know as Butterworth polynomials.